week 6

1.Parody

 a literary or musical work in which the style of an author or work is closely imitated for comic effect or in ridicule wrote a hilarious parody of a popular song

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A parody is a work created to imitate, make fun of, or comment on an original work—its subject, author, style, or some other target—by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody … is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice." Parody may be found in art or culture, including literature, music (although "parody" in music has an earlier, somewhat different meaning than for other art forms), animation, gaming, and film.

The writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with the material of high literature and adapts it to low ends"). Meanwhile, the Encyclopédie of Denis Diderot distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in the case of the moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the Buster Keaton shorts that mocked that genre.

  2.When Harry Met Sally

When Harry Met Sally… is a 1989 American romantic comedy film written by Nora Ephron and directed by Rob Reiner. It stars Billy Crystal as Harry and Meg Ryan as Sally. The story follows the title characters from the time they meet just before sharing a cross-country drive, through twelve years or so of chance encounters in New York City. 

The film raises the question "Can men and women ever just be friends?" and advances many ideas about relationships that became household concepts, such as "high-maintenance" and the "transitional person".

The origins of the film were derived from Reiner's return to single life after a divorce. An interview Ephron conducted with Reiner provided the basis for Harry.

Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay, making Harry funnier. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. 

The soundtrack consists of standards performed by Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. Connick won his first Grammy Award for Best Jazz Male Vocal Performance.

 This movie grows like a good wine. I really didn't get it when it was first released; I avoided it like the plague. But people have a curious tendency to mature and change their POVs with time, and so was it with me. This movie opened me up to a lot of things - believe it or not, I didn't get the 'Call Me' sequence at first: I was lost, and admit it. But I am not lost now, and this movie is partly responsible.

Meg might be the reason guys want to see this movie, again and again, but after a while you begin to appreciate the contribution Crystal made to the film. The dialogue has his name all over it. The dialogue in this film is at times simply amazing - check the memorable quotes here if you've seen the movie and have forgot.

I would not pick this movie out of a barrel as most likely to be so influential, but it's a fact that it is, and rightfully so. Great support from Kirby and Fisher. Today it's Hanks and Ryan who are paired, thanks undoubtedly to Sleepless in Seattle, but one wonders why no one has tried to get Crystal and Ryan back together again. They're fantastic.

This is one of the all-time best movies ever made. All-time 10? Or 20? or 1000? I don't know; it's just one of the best - it has that quality about it. Keeper


3.An Affair to Remember    金玉盟

Nickie Ferrante's return to New York to marry a rich heiress is well publicized as are his many antics and affairs. He meets a nightclub singer Terry McKay who is also on her way home to her longtime boyfriend. She sees him as just another playboy and he sees her as stand-offish but over several days they soon find they've fallen in love. Nickie has never really worked in his life so they agree that they will meet again in six months time atop the Empire State building. This will give them time to deal with their current relationships and for Nickie to see if he can actually earn a living. He returns to painting and is reasonably successful. On the agreed date,

Handsome playboy Nicky Ferrante and beautiful night club singer Terry McKay have a romance while on a cruise from Europe to New York. Despite being involved with other people, both agree to reunite at the top of the Empire State Building in six months. However, an unfortunate accident keeps Terry from the reunion, and Nicky fears that she has married or does not love him anymore. Will he discover the truth behind her absence and reunite with his one true love, or has fate and destiny passed them by

While in a cruise from Europe to New York, playboy Nicky Ferrante meets the gorgeous former night-club singer Terry McKay and they have a romance. Nicky is traveling to meet his fiancée, the inheritor of one of the greatest fortunes in USA, and Terry is returning to the arms of her supportive boy-friend. They schedule a meeting on the 102nd floor of the Empire State Building six months later to decide whether they should marry each other, but Terry has an accident and she is not able to reunite with him.

Nicky Ferrante is an international, European playboy setting forth on a cruise ship headed for New York to meet his wealthy fiancée. Terry McKay, a former night-club singer, is sailing to New York to be with her long-time boyfriend, who flew on ahead to close a business deal. Nicky and Terry meet on the long cruise, and romance, replete with complications, ensues.

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4.Sleepless in Seattle

After Chicago architect Sam Baldwin loses his wife Maggie to cancer, he and his eight-year-old son Jonah start a new life in Seattle, Washington, but Sam continues to grieve. A year and a half later, on Christmas Eve 1992, Jonah—who wants his father to find a new wife—calls in to a radio talk show. Jonah persuades a reluctant Sam to go on the air to talk about how much he misses Maggie. Hundreds of women from around the country who hear the program and are touched by the story write to Sam. One of the listeners is Annie Reed, a Baltimore Sun reporter who is engaged to amiable Walter but feels there is something missing from their cordial relationship. After watching the film An Affair to Remember, Annie impulsively writes a letter suggesting that Sam meet her on top of the Empire State Building on Valentine's Day. She does not intend to mail it, but her friend and editor Becky does it for her and agrees to send Annie to Seattle.

Sam begins dating a co-worker Victoria, whom Jonah dislikes. Jonah, a baseball fan, reads Annie's letter and likes that it mentions the Baltimore Orioles, but he fails to convince his father to go to New York to meet Annie. On the advice of his playmate Jessica, Jonah replies to Annie, agreeing to the New York meeting. While dropping Victoria off at the airport for a flight, Sam sees Annie exiting from her plane and is mesmerized by her, although he has no idea who she is. Annie later secretly watches Sam and Jonah playing on the beach together but mistakes Sam's sister for his girlfriend. He recognizes her from the airport and says "Hello," but Annie only responds with another "Hello" before fleeing. She decides she is being foolish and goes to New York to meet Walter for Valentine's Day.

With Jessica's help, Jonah flies to New York without his father's permission and goes to the Empire State Building searching for Annie. Distraught, Sam follows Jonah and finds him on the observation deck. Meanwhile, Annie sees the skyscraper from the Rainbow Room where she is dining with Walter and confesses her doubts to him, amicably ending their engagement. She rushes to the Empire State Building just moments after the doors to the down elevator close with Sam and Jonah inside.

In spite of the observation deck being deserted, Annie discovers a backpack that Jonah left behind. As she pulls out Jonah's teddy bear from the backpack, Sam and Jonah emerge from the elevator, and the three meet for the first time. On the advice of the elevator operator, Sam indicates they should go and offers his hand to Annie. The three then enter the elevator together before the door closes.